Praise for The Phoenix Years :

“‘Amidst all the chatter about China lies this rock of a book, a magnificent memoir/ history from the very core of modern Chinese society and history. It’s a wonderful thing where the essential book and the delightful book are, as in this case, the one thing. Let no one speak of China who has not read The Phoenix Years.”  Tom Keneally, author of Schindler’s List.

 

Asian Review of Books, December 13, 2017:

“I wanted to tell a story, and for people at the end of it to know more about what had happened in China over the last forty years. But I also wanted them to feel something about that story, to care, and to understand that these are people like us.”

Shelf Awareness, October 27, 2017:

The Phoenix Years is an essential background history of modern China–personal reporting that shows how economic freedom and artistic freedom must go hand in hand.”

Booklist, October 1, 2017:

“[O’Dea] makes geopolitical history accessible and engaging through the lives and experiences of such individual artists as Huang Rui and Guo Jian. O’Dea writes for readers new to art, offering straightforward descriptions of individual works, and new to Chinese history, explaining the nuts and bolts of crucial policies and protests. By focusing on how individuals experienced communism and resisted it, O’Dea succeeds in making history human.”

The Phoenix Years – Review – The Saturday Paper – 17 September 2016 :

“To call The Phoenix Years merely a history of Chinese art might be akin to calling Madame Bovary a novel about some affairs.”

The Phoenix Years – Review – The Australian – 15 Oct 2016 :

“Beautifully crafted and immensely readable. Required reading for all those who seek to understand how China has stumbled repressively through the past 40 years and how its finest citizens have persisted in trying to imagine a better, freer China. O’Dea does not put a foot wrong. The soul of the book, however, breathes in her account of the lives and artistic endeavours of a range of people.”

The Phoenix Years – Review – Sydney Morning Herald – 24 Sept 2016 :

“moving, intimate mix of history, memoir and reportage”

Kirkus Reviews – 21 August 2017:

“An illuminating chronicle of several generations of resilient and beleaguered Chinese artists, with mini-biographies, a helpful timeline, and extensive notes.”